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Summer 2024: Issue No.07
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Summer 2024: Issue No.07

Strange Trails

Greetings and happy summer! Welcome new subscribers to my little illustrated slice of life away from the noise of social media. I had initially planned these newsletters to be monthly, but some unexpected work and travel have popped up, so for now, I’m releasing these newsletters on a seasonal basis, with possible dispatches in between. Let’s get into it!

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In the social media world, Instagram has become a major bummer. This comic from illustrator Rachal Duggan expresses it perfectly. I joined Cara to grab my artsparrow handle but have yet to do anything with it. Honestly, I’m feeling sad and jaded about social media and our rights & privacy with all the AI training happening. I don’t know what the future holds for us. There’s only one thing I know for sure: I love making art. I need to share it because it’s part of my existential human experience. I must make things.

Speaking of making things, Andrea Schmitz and I are plotting our next horror short. Partnering with Andrea has allowed me to dream of bigger projects. This new piece tackles the subject of obsession and will include body horror. But first…


📣 Exciting News 📣


Our animated short “Mistletoe” has been accepted into its first horror fest! Andrea has previously earned laurels for her film “Thirst“—13+ of them—”Mistletoe” will be my first, and I’m excited. Andrea texted me the great news as I headed home from Denver, Colorado. I’m in the middle of boarding traffic, grumbling about not wanting to fly for a while, and she texts, “Pack your bags; we’re going to Cali!”

“Mistletoe” will premiere at the Midsummer Scream Halloween & Horror Convention in Long Beach, California. It has also been accepted into the 2025 Triborough Film Fest. After premiering this year at various festivals, we’ll release the short on Vimeo and share the link with everyone. Stay tuned!


Since my last newsletter, the months have been filled with familial events: my late mother’s birthday, Mother’s Day, and Father’s Day. Over the years, I’ve spent a lot of time thinking and talking (cough, therapy) about how I am different from my parents. So, I wanted to take a moment to highlight things we have in common.


Mother!


I have been reflecting on how my mother and I were alike in some ways. Both of us are Aries women—quirky, feisty, and fiery. My mom had a very generous spirit, sometimes to her detriment, as always she put others’ needs before hers. Luckily, I’ve been able to work on this by eliminating the people-pleaser gene over time (it’s a process). The most precious trait I got from my mother is her humor. Growing up, I loved making people laugh (I still do), and mom was my best audience. I inherited her silly gene—and silly she was!

After my mom’s passing in 2008, to commemorate her 10th anniversary in 2018, I illustrated her childhood railroad apartment in Brooklyn, one of my favorite stories, especially because it included my uncle knowing at nine years old that he would become a funeral director. I was–and still am, quite frankly–absolutely in awe that any child can know they wanted to be a mortician and then go and become one.


Mother, Creator


I don’t have kids. I know creation energy only through art. I’ve treated projects like my children, raising them until they are ready to enter the world. It’s not the same as being a mother to humans—or a mother of dragons—but I see creation as “mother energy.”

This energy is much more than mothering children – it is about bringing ideas and thoughts to birth and nurturing that creation into flourishing growth and development.

The Greek goddess Demeter is the archetypal mother: creator and destroyer; ruling the earth, fertility and agriculture. She gives birth to new ideas, businesses, children and crafts. She nurtures her creation tenderly and breathes life into it. She is a teacher, guiding and directing her creation. She provides healing, and sustains and protects her creation from being destroyed by others. (src)

Books, records, films—we nurture these works, dedicating time and energy, often sacrificing sleep and our social lives. I have chosen a life devoted to making art. I highly commend those who juggle parenthood too!

Growing up, I wasn’t sure about motherhood, but I always dreamed of having a cat. Because of my brother’s severe allergies, I had to wait until my 20s to finally get one.

The most important person that needs mothering is our inner child. (src)

Whether or not our parents are still on this mortal coil, as adults, we are the only ones who can truly nurture ourselves. I had to learn to mother myself. External validation can be addictive—it feels so good—but it’s vital to stay internally centered, especially when spending so many hours alone on projects. 

The most intense project so far was the Gender Cards for NARAL Pro-Choice America. It required a lightning-fast turnaround, creating several polished portraits per day for over a month straight. Looking back, I see ways I could have cared for myself better, but since then I have improved my boundaries and time management significantly. I knew burnout was unsustainable long-term, though it took me a long time to grasp how to be better to myself. Learning lessons.

The (above) photo reminded me of this clip from Arrested Development:


Dad Energy


Father, in the classic role of the provider, is the part of myself I’ve had to get in touch with after I began unraveling the role of “pleasant woman” (see: mom). A side that is confident—brazen even—pragmatic. A loyal and strong advocate. My dad and I have a lot of differences in how we see the world, but it always surprises me to see the things we have in common. It’s the side of myself that is passionate, loud, angry, loyal, and a dash of feral (Tim says I open cereal boxes like a muppet). My dad is the same.

I was recently on the phone with my dad, and we shared our fear of death. Zing! It was a breakthrough moment because we often check in to find out the other is “fine.” But after some health scares a year before and Dad hitting the 80 mark, he’s had some existential moments. When bringing up our fears, we said it nearly simultaneously: “the void.” He believes in god and all that, too. Deep down, we’re both scared that there is nothing. It’s almost funny to be scared of nothing. Maybe we’re just both scared of endings?

This convo caused me to finish a comic I started last year called “The Void.” The last time I saw my favorite pair of glasses was during an Andrei Tarkovsky double-feature of [long, Russian, sci-fi movies] because Solaris (1972) and Stalker (1979) were the last movies I watched with those pink cuties on my face.

Artist, illustrator & short-form animator.